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Albert Hirschfeld (June 21, 1903 - January 20, 2003) was an American caricaturist best known for his black and white portraits of celebrities and Broadway stars in which he hid the name of his daughter Nina after her birth in 1945. [1] Personal life

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Hirschfeld was born in St. Louis, Missouri on June 21, 1903. When he was eleven his family moved to upper Manhattan, where he enrolled in the Art Students League. By the age of seventeen he had.

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Al Hirschfeld revered the theater, with all its creative aspects. His drawings continue to mesmerize us with their fluidity, composition, and cinematic style. "He glorified the artistic genius of those who created cinema and theater. Acclaimed portraitist Al Hirschfeld (1903-2003) immortalized celebrities and Broadway productions with his.

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Nov 18, 2020,09:45am EST This article is more than 3 years old. Share to Facebook Share to Twitter Share to Linkedin The Al Hirschfeld Foundation has just unveiled a new, free, online.

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Al Hirschfeld, (born June 21, 1903, St. Louis, Missouri, U.S.—died January 20, 2003, New York, New York), American caricature artist, especially known for his drawings appearing in The New York Times, portraying show-business personalities.

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THE LINE KING OF BROADWAY (U&lc, Spring 1989). Since 1925, Al Hirschfeld has been documenting, in pen and ink, America's plays and players for the drama section of The New York Times.At 85 years of age, this redoubtable artist, with his mane of flowing white hair and long, pointed beard, can still be found at almost any Broadway premiere in an aisle seat making feverish sketches in the dark.

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18 Of Al Hirschfeld's Greatest Drawings He was the king of Broadway caricature. Now, a new exhibition at the NYPL showcases his immense body of work.

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A descendent of Russian-born Orthodox Jewish tailors, Albert Hirschfeld was born in St. Louis in 1903 and moved with his family to New York City before he was ten. He gravitated to drawing early..

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Al Hirschfeld (1903-2003) brought a distinct style to celebrity drawings, making his work instantly recognizable —to be "Hirschfelded" was a sign that a performer had arrived. Now for the first time, nine decades of Hirschfeld's work will be on display at the New-York Historical Society in The Hirschfeld Century: The Art of Al Hirschfeld

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His personal style began to blossom after his introduction to Miquel Covarrubias. Hirschfeld took a studio with the Covarrubias in 1924, and was bit by the bug of caricature that Covarrubias had brought from his native Mexico.

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A self described "characterist," his signature work, defined by a linear calligraphic style, appeared in virtually every major publication of the last nine decades (including a 75 year relationship with The New York Times) as well as numerous book and record covers and 15 postage stamps.

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When "Colin Quinn Long Story Short" opened at the Helen Hayes Theater in November, producers presented Mr. Quinn and the show's director, Jerry Seinfeld, with a Hirschfeld caricature of the two. For most of the 20th century, nothing defined opening night on Broadway like an Al Hirschfeld drawing of the production, and this one had the familiar swooping line and Hirschfeld signature.

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In the 1940s, Hirscheld's caricature style began to show figures in dynamic poses, as the ones of Charlie Chaplin, 'A Man with Both Feet in the Clouds,' 1942, made simply with using ink on board. Though the work is deceptively simple, its composition shows a great deal of drama and movement.

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Al Hirschfeld and Broadway have been inseparable for seventy-five years, since he published his first theatrical caricature in 1926.. irrepressible linear style for which he has become internationally renowned. Al Hirschfeld, Beyond Broadway celebrates a "Gift to the Nation" of original drawings given by the artist in honor of the Library's.

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Still primarily a painter, he flirted with modern styles. Back in New York in 1926, however, he attended a play with agent Dick Maney. During the performance, he doodled a sketch of French actor Sacha Guitry. The agent, impressed, asked Hirschfeld for a fresh copy and sent it to several New York newspapers.

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Jan. 21, 2003. Al Hirschfeld, whose inimitable caricatures captured the vivid personalities of theater people and their performances for more than 75 years, died at his home in Manhattan yesterday.